1 Ibrahim Edhem Pasha: statesman,
bureaucrat and intellectual of the Ottoman empire who promoted the
work: De Launay, M. (1873) –
L’architecture
ottomane, ouvrage autorisé par iradé impérial et
publié sous le patronage de Son Excellence Edhem Pacha = Die
Ottomanische Baukunst, Durch Kaiserliches Iradè Genehmigtes
Werk; Herausgegeben Unter Dem Schutze Sr Excellenz Edhem Pacha,
Imprimerie et Lithographie Centrales, Constantinople.
<http://bibliotheque-numerique.inha.fr/viewer/21039/?offset=#page=5&viewer=picture>
[Last access 4 March 2018].
2 Osman Hamdi Bey: son of Ibrahim
Edhem Pasha, painter, intellectual, archeologist, and founder of the
Academy of Fine Arts in Istanbul, and the Archeological Museum in
Istanbul see: Eldem E. (2010) –
Un Ottoman en Orient: Osman Hamdi Bey en Irak, 1869-1871, Actes sud, (Sinbad. La bibliothèque turque), Arles.
3 Inedited writings dated 8 June 1968 by S. H. Eldem, 1. Transcription by S. Acciai and C. Paluszek.
4 In this manner Nora Şeni, director
of IFEA (Institut Français d’études Anatoliennes)
from 2008 to 2012, tagged Sedad Eldem upon my arrival at the French
Institution in Istanbul (2010).
5 Eldem S. H. (1939) –
Millî Mimarî Meselesi (Il problema dell’Architettura
Nazionale), Arkitekt 9-10, 220-223, [online]
Available on: < http://dergi.mo.org.tr/dergiler/2/104/1147.pdf> [Last access 10 October 2018].
6These seminars pursued the study of
Turkish civil architecture that until the 1930s had not been taken into
consideration: Eldem maintained that, due to lack of upkeep and care,
these buildings were soon to disappear, and for this reason «the
study of civil Turkish architecture had become a question of maximum
urgency». (Eldem 1934) “Eski bir Türk evi [An
ancient Turkish house]”
7 Through archival research it was
possible to find a letter dated 16 August 1930 in which Hans Poelzig
presents and recommends Sedad Eldem to a colleague, explaining that
Âlisanzade, as Sedad liked to be called in his youth, had
taken his year-long Building Design class at the Technical University
in Berlin with optimum results, and he asked his colleague to let Eldem
show him his projects.
8 Giulio Mongeri (1873 - 1951), an Italian architect, was Sedad Eldem’s professor at the Mimar Sinan University.
9 Paul Bonatz, a German architect
(Solgne, near Metz, 1877 - Stuttgart 1956), first the assistant then
the successor of Theodor Fischer at the Stuttgart Polytechnic
(1907-43). He settled in in Turkey and had a fruitful work friendship
with Sedad Eldem.
10 Harrison Barnes & Hubbard,
English architectural firm, authors of the Nuffield College of Oxford
The intense correspondence with Eldem shows the long friendship with
the Turkish architect and the sharing of some common themes. The
English group in fact had a office also in Cyprus and was also involved
in the restoration of many konaks (traditional dwellings).
11
Paul Smărăndescu (1881-1945),
diplomato in architettura in Francia, ha cercato con la sua opera di
definire uno stile neo-rumeno attraverso la riconfigurazione moderna di
elementi tradizionali.
12 John Seymour Thacher (1904-1982)
served as the first director of Dumbarton Oaks after Robert and Mildred
Bliss gifted their estate to Harvard University in 1940. In particular
see the letter dated 13 January 1967 addressed to Eldem by J. S.
Thacher. The excavations in Sarachane were carried out by
Dumbarton Oaks and the Istanbul Archaeological Museum in the heart of
ancient Constantinople. See: Harrison R. M. (2014) Excavations at
Sarachane in Istanbul, Princeton University Press, Princeton NJ.
13 See the letter dated 6 May 1970
addressed to Eldem by Rowland Mainstone, where he thanks the Turkish
architect for his fascinating book on the Turkish kiosks. Mainstone
also regrets that each time he has been in Turkey, he has never been
able to spare to spare the time that they deserved, for Seljuk and
Ottoman works.
14 Sedad Eldem studied the Turkish-Ottoman house during his whole life. The result was an
encyclopedic multi-volume: Eldem, S. H. (1984).
15Skidmore, Owings & Merrill
LLP (SOM) is an American architectural,urban planning, and engineering
firm. It was formed in Chicago in 1936 by Louis Skidmore, and Nathaniel
Owings. In 1939 they were joined by Jonh O. Merrill. Sedad Eldem
became their partner for the Hilton Hotel project in Taksim, Istanbul
(1951-1955). In this project, carried out under the supervision of
Gordon Bunshaft, Eldem took care of some local aspects characterizing
the architecture of this western-setting building in Istanbul. See
Acciai S. (2018) –
Sedad Hakkı Eldem, an Aristocratic Architect and More, FUP Firenze University Press, Firenze.
16Wilhelm Viggo von Moltke
(1911-1987) was an influential urban planner in the US, working as the
chief designer on projects in Philadelphia and at the Massachusetts
Institute of Technology (MIT). He was also a teacher at the Harvard
Graduate School of Design. He was born in Kreisau, Germany, in 1911. He
received an architectural degree from the Technische Hochschule in
Berlin in 1937, but chose to leave the country during the same year due
to his political opposition to the Nazi government. This suggests that
he met Eldem he Technische Hochschule in 1929-30.
http://www.transatlanticperspectives.org/entry.php?rec=27.
17 Davis B. Allen (1916-1999) was
an American interior designer. He had a forty-year tenure at Skidmore,
Owings & Merrill (SOM). He also designed the Andover chair. In
1985, he was inducted into the Interior Design Magazine Hall Of Fame.
18 Robert L. Van Nice (1910-1994) was together with Rowland Mainstone, one of the most important scholars of St. Sophia.
19See the letter dated 25 August
1966 in which E.R.Gallagher thanks Eldem per for his fascinating book
on the Turkish house plans that finally arrived in perfect condition in
San Francisco.
20Whith regard to the letter where
it is evident that Sedad Eldem was interested in Bernard
Rudofsky’s books, see: (Acciai 2017).
21 The letter in which Sedad Eldem asks for a visa to go to France is dated 8 March 1961.
22See the letter dated 23 April
1967 by Gisle Jakhelln. The Norwegian architect wrote to Sedad Eldem
because he wanted to reach Turkey in 1967 to work there.
23 See the letter dated 4 July
1960, by the English architect H. J. Spiwak that wrote to Eldem to ask
him questions about the Hilton Hotel and the quality standards of the
hotel rooms.
24In 1936 Dimitris Pikionis, was a
professor at the National Technical University of Athens and supervisor
of the study on the Greek houses. He entrusted the completion of that
project to a group of young architects: Dimitris Moretis, Giorgos
Giannoulelis and Alexandra Paschalidou. This was the team that studied
for the first time in Greece, the traditional civil architecture.
25 In the Balkan Peninsula (but not
only) since the 1930s in the schools of architecture grew the study of
civil architecture. In this context, the legacy of the Ottoman house
was claimed by many nations when they were defining their identity
through the concept of “national house”. See Acciai S.
(2017) - The Ottoman-Turkish House According to Architect Sedad Hakkı
Eldem: A Refined Domestic Culture Suspended Between Europe and Asia,
cit.
26«La maison turque»:
unpublished text, prepared by Eldem for L’Architecture d’
Aujourd’hui magazine in 1948, 4. Transcription and translation
from the original manuscript in French by S. Acciai and C. Paluszek.
27 «La maison turque», cit. 9. See also: Acciai S. (2012a).