[1]
In the original text the author defines the style of ED Stone as
"Signature style," which in Italian would have a similar meaning to
"self-referential style," but, precisely because of the sense that
Bromley himself gave to the work of ED Stone in essay and for Stone's
personal choice to "abandon" the International Style and to stain
himself with "apostasy" - as Tom Wolfe (1981) tells - From Bauhaus to
Our House, Farrar, Straus & Giroux, New York; [Trans. it.]:
Maledetti Architetti (Bompiani, Milan 1988) - it was considered more
appropriate to translate it into "personal style"
[N.d.C.].
[2]
Designin with Philip Lippincott Goodwin [N.d.C.].
[3]
Architectural Forum
(1959), “A new public
architecture”, (January). 84-89 [N.d.C.].
[4]
Launched in orbit on 4 October 1958, it was one of the major
attractions of the USSR pavilion [N.d.C.].