1 «I posed myself
the problem: which Italian architect could face a venture whose
perspective had attracted, a few years before, one of the greatest
masters of modern architecture? Having to make a choice, I wondered
which of the Italian architects was closest to Gropius: by quality
level, by architectural ideology, by design method, by interest in the
specific theme». From Bucarelli P. (1988) ‒ Ampliamento della Galleria
Nazionale d’Arte Moderna. Progetto di Luigi Cosenza.
In: Cosenza G., Bazzarini V. (care of), Luigi Cosenza. Ampliamento della
Galleria Nazionale d’Arte Moderna ed altre architetture
1929/1975. Clean, Napoli, 14.
2
Cfr. Agamben G. (2016) ‒ Che
cos’è reale? La scomparsa di Majorana.
Neri Pozza, Vicenza.
3
Cfr. Protagora, fr.1, in Platone, Teeteto,
152a.
4
«The echelon is essentially linear organization that in some
situations can be defined as centric [...]. This progression generally
refers to linear source, such as ribs that they depart from the spine;
but for his perceptive defining the echelon is based on a continuous
directional sorting and adjust», Eisenman P. (2009) ‒ La base formale
dell’architettura moderna. Pendragon, Bologna,
103.